The past few days, I've been feeling a bit low. A lot of it's been the career-oriented navelgazing; I've been feeling extremely helpless in the face of my usual pattern of fear-based self-sabotage, and that voice asking if it wouldn't make more sense to just let go of this being-an-artist idea now and have done with it, since obviously I don't really want it enough to take hold of opportunities even when they drop themselves in my lap, has been feeling awfully strong. But the thought of giving up entirely still makes me want to curl up and cry, which seems to indicate I'm not ready for that yet. So I've been going back and forth, and generally feeling kind of paralyzed and helpless.
Yesterday, I wake up from a dream, the sort with a particular image that, as you lie there half-awake considering it, unspools naturally until you can see the whole story around it in your head. I go and make some notes, giving it some ballast, and before long I have two main characters with a shared past secret and whole plot/character arcs of their own. The same sort of feeling I had when I wrote that short story I was so proud of. And right in time for November. I start feeling a little hopeful, even though there's a long way between a rough outline and a finished novel.
Last night, since my neighborhood CorePower has canceled all the morning classes I normally attend, I go to an evening class with a teacher I've not seen before. I'm pleasantly surprised at her friendliness and teaching skills, but what sticks with me the most is her parting words: "I challenge each of you to face something that you fear this week."
Today, I get an email back offering me a time slot for an audition I'd inquired about a month ago. Having seen the company's signature show twice, it's occurred to me how neatly their rapid-fire style fits into my need for an environment to learn the artistic skills I'm short on (being vulnerable in front of an audience, getting out of my head and having confidence in my instincts, trusting other cast members, memorizing quickly, writing to a deadline), since the alternative is pretty public humiliation. Probably not coincidentally, It also nestles right in the "huge time commitment" zone (four nights a week, three to six hours a night, plus home time spent on memorization and writing, 38ish weeks a year) that has, in the past, sent me into a hyperventilating panic. But...well, one of the things I've been annoyed at myself about is that I'm not doing a whole lot else with my time at the moment. I'm a little afraid that I'll throw myself into it with every intention of making a go of it, and have a panic attack halfway in and want to pull out; this has happened before. But if I'm not going to have a pressing financial reason to grow as an artist, it seems like the potential for public humiliation/a serious loss of face in the local theatre community isn't a bad secondary choice for negative reinforcement. Plus, it's paid! They're up-front that it's not a living wage, but it's still a bit of extra income I'd be bringing in on weeks I was performing, and it increases with longevity.
So I guess I have a couple of things that terrify me that I can work on this week. I'd be miffed at the world for assigning me double homework, if I hadn't more or less been moping around the house the past few days wishing the world would bestow another chance upon me. :P
Yesterday, I wake up from a dream, the sort with a particular image that, as you lie there half-awake considering it, unspools naturally until you can see the whole story around it in your head. I go and make some notes, giving it some ballast, and before long I have two main characters with a shared past secret and whole plot/character arcs of their own. The same sort of feeling I had when I wrote that short story I was so proud of. And right in time for November. I start feeling a little hopeful, even though there's a long way between a rough outline and a finished novel.
Last night, since my neighborhood CorePower has canceled all the morning classes I normally attend, I go to an evening class with a teacher I've not seen before. I'm pleasantly surprised at her friendliness and teaching skills, but what sticks with me the most is her parting words: "I challenge each of you to face something that you fear this week."
Today, I get an email back offering me a time slot for an audition I'd inquired about a month ago. Having seen the company's signature show twice, it's occurred to me how neatly their rapid-fire style fits into my need for an environment to learn the artistic skills I'm short on (being vulnerable in front of an audience, getting out of my head and having confidence in my instincts, trusting other cast members, memorizing quickly, writing to a deadline), since the alternative is pretty public humiliation. Probably not coincidentally, It also nestles right in the "huge time commitment" zone (four nights a week, three to six hours a night, plus home time spent on memorization and writing, 38ish weeks a year) that has, in the past, sent me into a hyperventilating panic. But...well, one of the things I've been annoyed at myself about is that I'm not doing a whole lot else with my time at the moment. I'm a little afraid that I'll throw myself into it with every intention of making a go of it, and have a panic attack halfway in and want to pull out; this has happened before. But if I'm not going to have a pressing financial reason to grow as an artist, it seems like the potential for public humiliation/a serious loss of face in the local theatre community isn't a bad secondary choice for negative reinforcement. Plus, it's paid! They're up-front that it's not a living wage, but it's still a bit of extra income I'd be bringing in on weeks I was performing, and it increases with longevity.
So I guess I have a couple of things that terrify me that I can work on this week. I'd be miffed at the world for assigning me double homework, if I hadn't more or less been moping around the house the past few days wishing the world would bestow another chance upon me. :P