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missroseroseIn a style termed by the author as "dream documentary", Bryan Talbot takes us through the religious, political, cultural, and literary history of his home town of Sunderland (as well as bits and pieces of knowledge from all kinds of other places and fields). Far from a paper-dry chronological listing of names and dates, however, we jump from place to place, subject to subject, and event to event often without preamble or warning, always colorfully illustrated by drawings, photos, collages, or paintings. It truly is like falling down the rabbit-hole.
To Talbot's credit, the conceit works surprisingly well. I was completely unfamiliar with most of the subjects presented in this work, but I never felt lost while reading; and while I occasionally consulted Wikipedia for more information on a subject mentioned, I never felt like doing so was necessary in order to follow the story.
What makes the whole concept work, despite its incredibly ambitious scope, is the theme of connections. Talbot constantly shows us the influences of one event on another: the values of one family being passed to its succeeding generations, the re-invention of folk stories and myths as shows or popular fiction, the art style of an invading culture commingling with that of the previous settlers, the de-evolution of a centuries-old blood feud into an equally vicious (if supposedly more civilized) football rivalry. Nothing "just happens"; everything is preceded by numerous related events, and everything has its own effects on what follows, which are often surprisingly far-reaching.
While his approach may at first seem more scatterbrained than structured, attentive readers will soon notice how meticulously Talbot has composed his story so that everything fits together. Half the joy of reading the later pages comes from discovering the import of clues hidden in the earlier parts; equally surprising is how infectious the author's passion for the subject becomes. In interviews, Talbot claims that the only goal for his four-years-in-the-making masterpiece is to entertain. By that standard, he has succeeded wildly - as well as, perhaps, educating thousands of readers on subjects that they might otherwise never have known existed. A++ with cherries on top
To Talbot's credit, the conceit works surprisingly well. I was completely unfamiliar with most of the subjects presented in this work, but I never felt lost while reading; and while I occasionally consulted Wikipedia for more information on a subject mentioned, I never felt like doing so was necessary in order to follow the story.
What makes the whole concept work, despite its incredibly ambitious scope, is the theme of connections. Talbot constantly shows us the influences of one event on another: the values of one family being passed to its succeeding generations, the re-invention of folk stories and myths as shows or popular fiction, the art style of an invading culture commingling with that of the previous settlers, the de-evolution of a centuries-old blood feud into an equally vicious (if supposedly more civilized) football rivalry. Nothing "just happens"; everything is preceded by numerous related events, and everything has its own effects on what follows, which are often surprisingly far-reaching.
While his approach may at first seem more scatterbrained than structured, attentive readers will soon notice how meticulously Talbot has composed his story so that everything fits together. Half the joy of reading the later pages comes from discovering the import of clues hidden in the earlier parts; equally surprising is how infectious the author's passion for the subject becomes. In interviews, Talbot claims that the only goal for his four-years-in-the-making masterpiece is to entertain. By that standard, he has succeeded wildly - as well as, perhaps, educating thousands of readers on subjects that they might otherwise never have known existed. A++ with cherries on top
